2013 Posters
You can download posters we have received from the Poster Session at the
41st Annual Meeting. Authors should upload missing posters by emailing them to
publications@culturalheritage.org.
Downloadable Posters
003. Negotiating Obsolescence in a Functional Media Sculpture: Nam June Paik’s Untitled (Piano)
Missing Posters
- The Use of Menthol as a Temporary Consolidant in Art Conservation
Xiangna Han, Ph. D. Candidate, Shanghai Institute of Ceramics, Chinese Academy of Sciences; Xiao Huang, Professor, Shanghai Institute of Ceramics, Chinese Academy of Sciences; and Hongjie Luo, Professor, Shanghai Institute of Ceramics, Chinese Academy of Sciences, and Shanghai University
- Acetic Acid Off-Gassing in Clamshell Enclosures
Allison Brewer, Undergraduate Candidate for a BFA in Art History, University of Kansas
- Other Policies for the Archive: Poetic Discourses in Videobrasil Collection
Ana Pato, Ph.D. Student, Department of History at the Faculty of Architecture and Urbanism, University of São Paulo; and Eduardo de Jesus, Professor, College of Communication and Arts, Pontifical Catholic University of Minas Gerais, Brazil
- XRF study of Mexican Iron Gall Inks: An Historical and Geographical Overview of Their Chemistry
Jocelyn Alcantara-Garcia, Andrew W. Mellon Fellow, Heritage Science for Conservation Program, Johns Hopkins University
- Contemporary Issues in Conservation: Making Conservation an Accessible Discipline
Jessica Caudill, MA Public History Candidate, East Carolina University; Susanne Grieve, Director of Conservation, East Carolina University
- 13. Treatment Considerations of the Double-sided, Oversized Painted Textile: A Case Study of the National Treasure, “Flag of the Formosa Republic”
Jen-Jung Ku, Research Assistant and Conservator, National Museum of Literature, Taiwan; Chou-Chun Lu, Technical Specialist, National Palace Museum, Taiwan
- Molecular Modeling and Conservation
Erica Stafford, Sarah Balinskas Fine Art Framing
- pXRF Analyses of Louise Herreshoff’s Paintings in Relation to CdS Degradation Issues
Erich S. Uffelman, Cincinnati Professor of Chemistry at Washington and Lee University; Patricia A. Hobbs, Associate Director/Curator of the University Collections of Art and History, Washington and Lee University; Derek A. G. Barisas, senior Biochemistry major at Washington and Lee University; Jennifer L. Mass, Senior Scientist and Director of the Scientific Research and Analysis Laboratory, Conservation Department, Winterthur Museum
- The Albright-Knox Art Gallery: Managing Media in the Archive and the Collection
Crystal Sanchez, Moving Image Archivist
- Publishing in Conservation Journals in Latin-America: Achievements, Challenges, and Perspectives in the Contemporary World
Dr. Isabel Medina-González, Senior Conservator, INAH
- Fat Content in Collagen Based Adhesives: Assumptions and Investigation Results
Sofia Rydell, Assistant Furniture Conservator, Period Furniture Conservation
- My Friend Flickr: How a Reservoir of 6 Billion Images Can Shape the Work of Restoration
Barbara Mangum, Conservator, Sculpture and Decorative Arts Conservation, LLC
- Monitoring Museum Collections Environments Using Wireless Technology: A Case Study
Gretchen Anderson, Head of the Conservation Division, Carnegie Museum of Natural History; Paul Kreitler, Project Engineer, Landmark Facilities Group, Inc; and John Lyon, Operations Manager, Carnegie Museums of Pittsburgh
- Batch Treatment of Special Collection Books
Lauren Calcote, 2012 Graduate of the Art Conservation Department, Buffalo State College
- Contextualising the Japanese Textile Collection at RSL ANZAC Village War Museum, Narrabeen to Inform its Display and Long-Term Preservation
Lisa Yeats, Graduate of the Masters of Materials Conservation course, Centre for Cultural Materials Conservation, The University of Melbourne, Australia
- A Paper-Based Alternative to the Oddy Test
Marcie Wiggins, Undergraduate Student, University of Maryland, College Park; and Eric Breitung, Library of Congress, Preservation Research and Testing Division
- Exploring the Impact of Slag on the Corrosion of Archaeological Iron
Eric Nordgren, PhD candidate, and David Watkinson, Head of Conservation, Cardiff University, UK
- Reversibility Study of Atomic Layer Deposition Films as Diffusion Barriers for Silver Artifacts
Amy Marquardt, Graduate Research Assistant and PhD candidate, Department of Materials Science and Engineering, University of Maryland; Eric M. Breitung, Library of Congress; Richard Ash; Terry Drayman-Weisser and Glenn Gates, Walters Art Museum; Gary W. Rubloff, and Ray J. Phaneuf, University of Maryland.
- Investigating the Internal Structures of Gessoes with XµCT
Ashley Freeman, Art Conservation Program, Queen’s University; Michael Doutre, Art Conservation Program, Queen’s University; Alison Murray, Art Conservation Program, Queen’s University; George Bevan, Department of Classics, Queen’s University; and Laura Fuster-López, Instituto Universitario de Restauracion del Patrimonio, Universidad Politecnica de Valencia
- The Art_Con<server>: How Conservation Professionals Make Use of Online Resources
By the Emerging Conservation Professionals Network
- Near Infrared Reflectance Spectroscopy of Paint Binding Media
Kathryn A. Dooley, Department of Electrical and Computer Engineering, George Washington University, and National Gallery of Art; Carolyn Carta, National Gallery of Art; Julian Rocha, Department of Chemistry, George Washington University; Maya-Jean Pause, Department of Chemistry, George Washington University; John K. Delaney, Department of Electrical and Computer Engineering, George Washington University, and National Gallery of Art; Costanza Miliani, CNR-ISTM & SMAArt c/o Università di Perugia, Dipartimento di Chimica; Marcello Picollo, Institute of Applied Physics “Nello Carrara”, National Research Council (IFAC-CNR); Suzanne Lomax, National Gallery of Art; and Murray H. Loew, Department of Electrical and Computer Engineering, The George Washington University
- Loosening Tightly Bound Records for Digitization
Steven Loew, Book and Paper Conservator, National Archives and Records Administration; and Gail Harriman
- Conservation of Shelburne Museum’s 1926 Artizan Carousel Organ
Richard. L. Kerschner, Director of Preservation and Conservation; and Nancie Ravenel, Objects Conservation