2016 Posters

Downloadable Posters

Missing Posters

1. Testing a Model for Multi-Faceted Engagement and Maximized Efficiency for Collection Response Under Restricted Time
   Nancy Odegaard, Conservator Professor, Arizona State Museum - University of Arizona, Marilen Pool, Project Conservator, Arizona State Museum - University of Arizona, Christina Biscula / Gina Watkinson, Conservation Scientist / Laboratory Coordinator, Arizona State Museum - University of Arizona, Elizabeth Burr, 3rd Year Graduate Conservation Intern (UCLA), Arizona State Museum - University of Arizona, Nicole Peters, 3rd Year Conservation, Arizona State Museum - University of Arizona

5. Collaborations for Safety: A Team Approach to Writing Emergency Procedures Plans
   Karen Nourse Reed, Assistant Professor and Education Librarian, Middle Tennessee State University

7. Elements of 9/11 in Focus
   Fenella France, Chief, Preservation Research and Testing Division, Library of Congress

10. Aden’s Ancient Cisterns: Historic Preservation, Water Management and Disaster Avoidance Edith A. Dunn, PhD, Conservator/Historic Preservation Specialist
11. Response to the Burning of the Scientific Library in Cairo, Egypt
    Cheryl Porter, Director, Montefiascone Project

15. The Identification of Natural Indian Yellow and other Historic Late 19th Century Pigments from the Toulouse-Lautrec Estate in France
    Aaron N. Shugar, Andrew W. Mellon Associate Professor of Conservation Science, Buffalo State, SUNY, Rebecca Ploeger, Assistant Professor of Conservation Science, Buffalo State, SUNY
16. 16. Investigating the Story Beneath: The Examination and Treatment of Charles Baugniet’s “Washington’s Birthday”
    Erica Schuler, Samuel H. Kress Fellow in Paintings Conservation, Indianapolis Museum of Art

18. Technical Investigation and Reattribution of Tintoretto’s Apollo and the Muses at the Indianapolis Museum of Art
    Fiona Beckett, Clowes Conservator of Paintings, Indianapolis Museum of Art
19. Determination of Binding Media in Easel Paintings: A Direct Analysis Method
    Henry DePhillips, Professor of Chemistry Emeritus, Department of Chemistry, Trinity College, Jacqueline Busa, Student, Department of Chemistry, Trinity College

22. Rescue of a Decorative Element of High Symbolic Value in the Old Convento Santa Teresa de Jesús
    Lisette Alvarez, Restorer and Conservator of Fine Arts, Monuments Restoration Company, City Historian’s Office, Luis Alberto Hernández Armas, Assistant Professor, practice of restoration of polychrome, Workshop School “Gaspar Melchor de Jovellanos,” Historian City Office
23. Re-examination of “While Baby Sleeps”
    Makedonka Gulcev, Graduate Student, Art Conservation, Queen’s University, Alicia Boutilier, Curator of Canadian Historical Art, Agnes Etherington Art Centre, Queen’s University, Ron Spronk, Professor of Art History, Art History Department, Queen’s University, Alison Murray, Associate Professor, Art Conservation, Queen’s University

33. The Adaptation of the Video Slider into a ‘Microscope Bridge’ as a Practical Alternative for Using a Stereomicroscope to Examine and Treat Oversize Flat Artifacts
    Seth Irwin, Paper Conservator, University of Hawaii Hamilton Library

37. The Secret Language of Spray Paint
    Valerie Marlowe, Doctoral Candidate, University of Delaware

38. 11th Hour Conservation: Salvaging the Historic Surf Club
    Bryon Roesselet, Architectural Conservator, EverGreene Architectural Arts
39. Conservation of the Archaeological Site of Kotzia Square in the Center of Athens
    Vasileios Lampropoulos, Professor, Department of Conservation of Antiquities and Works of Art, faculty of Graphic Arts and Artistic Studies of T.E.I. of Athens
40. Conservation of Zappeion Roman Baths in the Center of Athens
    Vasileios Lampropoulos, Professor, Department of Conservation of Antiquities and Works of Art, faculty of Graphic Arts and Artistic Studies of T.E.I. of Athens

46. Liquick Leather! No Need for a Professional! … Or Is There?
    Lauren Calcote, Von Clemm Fellow, Boston Athenaeum

49. Facing the Unknown-Conservation of an Anthropoid Clay Coffin from Tel Shadud, Israel Elisheva Kamaisky, Head, Pottery Conservation Unit, Israel Antiquities Authority

54. Silver Maintenance at George Washington’s Mount Vernon
    Karl Knauer, Collections Conservator, George Washington’s Mount Vernon, Julie Flynn, UCL
55. A Closer Look: In-depth Analysis of a Kokin-Bina Doll Megan Doxsey-Whitfield, Assistant Conservator, Queen’s University, Anne-Marie Guerin, graduate student, Queen’s University Master of Art Conservation

60. What Lies Beneath: A study of the materials and techniques of Persian lacquerwork
    Katherine Eremin, Claire Grech, Australian Conservation Science Fellow, Harvard Art Museums, Katherine Eremin, Patricia Cornwell Conservation Scientist, Harvard Art Museums, Narayan Khandekar, Director of the Straus Center for Conservation and Technical Studies, Director of the Center for the Technical Study of Modern Art, and Head of the Analytical Laboratory, Harvard Art Museums, Mary McWilliams, Norma Jean Calderwood Curator for Islamic and Later Indian Art, Harvard Art Museums
61. Materials and Techniques of Painted Islamic Manuscripts
    Katherine Eremin, Patricia Cornwell Conservation Scientist, Harvard Art Museums, Penley Knipe, Philip and Lynn Straus Conservator of Works on Paper, Harvard Art Museums, Claire Grech, Australian Conservation Science Fellow, Harvard Art Museums

63. Calcium Hydroxide vs. Magnesium Bicarbonate: A 25 Year Natural Aging Experiment Betsy Palmer Eldridge, Conservator, Private Practice

67. The Durability of Bamboo Paper: Ash content in paper cooked by different agents
    CHUNG, Chia-Jung, DC Student, Tokyo University of the Arts, INABA, Masamitsu, Professor; Ph.D., Tokyo University of the Arts, CHEN, Gang, Professor; Ph.D., Fudan University

75. Silver Nanoparticle Sensors for Detecting Active Deterioration In Iron Gall Ink Drawings and Documents
    Rui Chen, Senior Conservation Scientist, Aging Diagnostic Laboratory, Institute for the Preservation of Cultural Heritage, Yale University, Paul Whitmore, Director, Aging Diagnostic Laboratory, Institute for the Preservation of Cultural Heritage, Yale University, Marie-France Lemay, Paper and Photographs Conservator, Center for Preservation and Conservation, Yale University Library, Yale University
76. Pima Cotton Hinges
    Susan Peckham, Senior Paper Conservator, Library of Congress

82. Conservation Issues of a Mass Digitization Project
    Rachel Greenberg, Mass Digitization Project Objects Conservator, Cooper Hewitt Smithsonian Design Museum

92. Buddhist Diaspora Preservation Training: Expect the Unexpected
    Ann Shaftel, Project Director and Founder, Treasure Caretaker Training, Digital Monastery Project

95. 50 Shades of Yellowback
    Allison Brewer, 2015 Ringle Summer Conservation Intern, University of Kansas Libraries

97. Building Community: AIC Emerging Conservation Professionals Network Regional Liaisons Alexa Beller

99. The Disastrous Copper: Comparing extraction and chelation treatments to face the threat of copper-containing inks on paper
    Sara Zaccaron, Postdoctoral fellow, Conservation & Preservation Department, The Sheridan Libraries, Johns Hopkins University, Patricia McGuiggan, Associate Research Professor and Principal Investigator Mellon Grant for HSC, Materials Science & Engineering Department, Whiting School of Engineering, Johns Hopkins University, Mark Pollei, Senior Book Conservator and Acting Director for Conservation & Preservation, Conservation & Preservation Department, The Sheridan Libraries, Johns Hopkins University, Alessandro Scola, Book Conservator, Conservation & Preservation Department, The Sheridan Libraries, Johns Hopkins University, Ute Henniges, University Assistant, Div. Chemistry of Renewable Resources, Dept. of Chemistry, University of Natural Resources and Life Sciences

107. The Effect of De-Pest of Plant Extracts According Paper Works
     Raziyeh Taheri, Conservator, The Cultural Heritage Office of Semnan Province, Iran
108. Holographic Archives for Endangered Collections
     John F. Asmus, Research Physicist, University of California, San Diego
109. Optimized Laser Cleaning for the Conservation of the Ghiberti’s Doors at the North and East of the Baptistery in Florence, Italy
     Laura Bartoli, Conservation Technologies Specialists, El. En. S.p.A., Alessandro Zanini, Conservation Technologies Department Manager, El.En. S.p.A.
110. Brown County Plan
     Louise Pfotenhauer, Collections Manager, Neville Public Museum of Brown County
111. Unexpected Allies: Conservation and Health & Safety Colleagues
     Sherry Phillips, Conservator, Contemporary and Inuit Art Collections, Art Gallery of Ontario, Sandra Deike, Manager, Health & Safety, Art Gallery of Ontario
112. Resilient Heritage: Protecting Your Historic Home From Natural Disasters
     Sarah Marie Jackson, Architectural Conservator, National Center for Preservation Technology and Training
113. Diagnostic Imaging Techniques for the Identification of Tortoiseshell
     Lesley Day, Third Year Graduate Student, UCLA/Getty Program in Archaeological and Ethnographic Conservation, Ellen Pearlstein, Associate Professor, UCLA/Getty Program in Archaeological and Ethnographic Conservation

117. Study of Drying Process and Recovery of Iron Gall Ink Manuscripts Affected by Flooding Janet Diaz Navarro, Directora Programa de Conservación Patrimonial y Servicios Bibliotecarios, Fundación Antonio Nuñez Jimenez de la Naturaleza y el Hombre

121. Scientific Study about Dismantling and Re-Assembly of Limestone Stella, Housed in the Grand Egyptian Museum
     Ahmed Abd El-Rady Hassan, Conservator, Grand Egyptian Museum, Eman A. Elhanfe, Head of Stone and Mural Paintings Artifacts Lab, Conservation Center, Grand Egyptian Museum, Ahmed A. Hussein, Conservator, Grand Egyptian Museum, Mohamed Ragab, Conservator, Grand Egyptian Museum, Hussein Mohamed Kamal, Technical Director of Conservation Center, Grand Egyptian Museum

124. Investigation into the Removal of Arsenic-Based Pesticides on Feathers Jae R. Anderson, Student, University of Arizona Materials Science and Engineering, Nancy N. Odegaard, Head of Preservation Division, Professor, Arizona State Museum / University of Arizona, Werner Zimmt
125. When the Visitor Experience Goes Wrong: Unexpected Guest at Marisol Escobar’s The Party Suzanne Hargrove, Head of Conservation, The Toledo Museum of Art
126. Disaster Response and Environmental Standards: A Misunderstanding? Andy Calver, Head of Care & Conservation, Imperial War Museums

128. From Factory to Museum: A review of the of chemical corrosion models of float glass used for vitrines and the methods used to protect them with consideration for the future challenges presented by a changing climate
     Emma Moore, Scientist, ClickNetherfield Ltd., Alistair Williams, Operation Director, ClickNetherfield Ltd.